BrownhillsBob's #365daysofbiking

On a bike, riding somewhere. Every day, rain or shine.

Posts tagged ‘drawing’

#365daysofbiking Splendid isolation

May 8th – I’d had to ride into Brum to check out something for work. Public transport is unusable, and the day was lovely so I rode all the way on the canal.

At Aston Junction there’s a garden ruin of mown grass just by the canal bridges there, and within, I noticed an artist.

Clearly busy under his straw hat, he seemed engrossed in his work.

I didn’t think he had noticed me at all, and the dedicated, solitary pursuit of his art was fascinating and just a little sad.

As I left, I bid him a cheery goodbye and without looking up, he wished me a good ride.

Lockdown is doing odd things to us as a society, and I kind of like it.

This journal is moving home. Find out more by clicking here.

from Tumblr

OK, this is a bit odd, but it’s memories, and stuff like this has a huge influence on the things I create here. Last Wednesday, I noted that I had a love of railway stations at night and that I wasn’t sure where I got it from. I mentioned that in the late 70s there was a record label called ‘Late Night Feelings’, one logo for which featured a drawing of two children on a deserted station at night as an Intercity 125 went past.

This recovered memory has bothered me ever since, so I went searching.

Late Night Feelings was a label peculiar to Geno-era Dexy’s Midnight Runners, an Oldbury band who were hugely influential to me as a youth. The drawing of the station at night was actually on the flip side of the seminal ‘Searching for the Young Soul Rebels’ album, and is as beautiful as I remember; the train is actually an APT or Advanced Passenger Train, a tilting design that was never a success. I think it’s gorgeous and thoroughly encapsulates the period. I spent ages looking at that. I still have no idea why. Sadly, I couldn’t find a better image online.

There were three other crayon draw lables, two of which I’ve never seen before. They all seem to feature the same two blonde children. I’d seen the children in bed, as that was on the 45 of Geno, the massive hit. The other two are new to me, but I adore them, particularly the children looking at the city at night.

It occurs to me that in three of the four images, the children have a suitcase. Why? There’s a story there someone was telling. I find that sad, and a bit tortuous.

I have no idea who drew them, or if this has ever been commented on before, but this artwork was prominent enough to stay in my memory for over three decades, and I do think it’s an odd, curious little influence.

They were certainly a very odd feature for records made by the then infants-terrible of soul-pop.

To the artist: I don’t know who you were, or even if you remember, but I did. Thank you.

Funny how things stay with you.