November 21st – I returned to Shenstone quite late, and the night was fascinating here, too. I never tire of that station; it’s got no facilities whatsoever, but the atmosphere and architecture make it one of the most lovely stations in the Midlands.

I’m fascinated by the feeling of isolation here at night, the islands of light and the elegant perspective.

I was captivated, too by the chap waiting for his lift under the streetlight on the corner of the car park. A long range, grainy shot, but there’s something about it I can’t explain.

November 21st – At the other end of the day, it was even colder. But the air had developed that hard, glassy-clear quality that it only really develops in winter; when even sounds seem sharper. I noticed as I hopped between stations that the view of the mid-renovation New Street Station, Bullring and Smallbrook from the access bridge was quite stunning, so I stopped to photograph it a while.

Quite surprised I wasn’t collared by the ever-present security as I took these, to be honest…

November 21st – In contrast to the day before, it was bright and sunny, but there was a keen wind and it was rather cold. A typical winter morning, in fact, and today it really did feel like the inexorable slide toward Christmas was underway. 

Moor Street Station was as light, airy and beautiful as ever. The flower stall in the old wooden ticket booth caught my eye; such bright colours, untypical of the location and season. The effort the lady who runs it puts into her displays is admirable, and always joyous.

I adore Moor Street Station. It’s probably the best station I use, and it’s a credit to the staff that work there.

November 17th – Today was a carbon copy of yesterday, but warmer, and so the mist had risen a little. By the time I got out – again, as dusk fell – the air was clearing and a very quiet darkness settled upon Brownhills. I spun around, enjoying the unusual quiet; up the canal to the old cement works, then up the old railway line to Engine Lane, and back into Brownhills via the Hussey Estate and Holland Park. It’s taken a long time this year, but tonight, I was aware of being in love with the darkness again, or at the least, in love with the things it brings. Solitude, quiet, a new aspect to familiar places.

There’s the dark town, the darkness itself, and the fear of the darkness. At some point in the last 24hours, seasonal lines recrossed and I stopped fighting it. The fear is real: it’s not the menace, or the ghostliness as found here at Coppice Lane, but the fear of never seeing the summer again. I can’t hold on to the year passed,the warm days, long grass and flowers have withered and now, it’s winter. Come Christmas, everything will open out again. 

And in the meantime, evenings like this: quiet, dark and beautiful.

November 16th – I went up to Chasewater just to spin around the park. I haven’t done that for ages, but in the shorter, colder days of winter I’ll return to it more and more. Although it’s nice to see the lake busy in summer, like Cannock Chase, the magic comes when it’s deserted and few venture out. Apart from the odd dog walker and twitchers there to catch the Great Northern Diver that had been exciting local birders all week, I saw few folk, and as dark fell, I felt the familiar haunting feeling I get here… A mixture of enjoyment, desolation and sense of smallness in the great dark.

The lake seems to hover these days about a foot off full, and is functioning normally, with Fly Creek flowing well to keep it topped up. As I folded back over the causeway, the last bit of the sunset over Norton and Jeffrey’s Swag was quite nice, and in the dark from the Balcony Shore, it seemed the resurgent Water Sports Centre was getting ready for a party.

One of the few joys of the off season is returning to old haunts.

November 16th – I headed up to Chasewater late afternoon in bad light, as I hadn’t been for ages, and as usual I took the canal route. Nearing the paddock at Newtown that had been home to Big Tasties, who’ve since moved to Stonnall, I heard the oddest twanging noise. Not long after, I spotter her.

This huge, healthy sow seems to be on her own and have the entire space to herself. She had attracted my attention by repeatedly biting on the barbed wire fence at the towpath edge, barbs and all, tugging it out and twanging it like a guitar string. At first, I was very concerned she might hurt herself but that mouth seems very, very tough. She was very tame and allowed me to stroke her head.

November 15th – While capturing Morris, the lights of the former Brownhills Council House – The Parkview Centre – caught my eye. It was an interesting original building – not handsome or beautiful, but a tour-de-force of civic pride in a growing town made prosperous by coal and bricks. The brick legacy is reflected in the light terracotta masonry, and engaging detail around the windows, doors and eaves.

Sadly, up until recently, the hundred year old clock has neither been accurate nor reliable, and is affectionately known as the ‘three-faced liar’ to locals.

Recently, the timepiece has been refurbished following welcome work instigated by the Brownhills Local Committee, with new mechanisms and seems to be holding time well; it was a mere minute fast in this picture.

Unfortunately, the civic pride the building and clock conferred has been utterly destroyed by the hideous, architecturally lazy and cheap extensions added in the last decade to make this landmark suitable as a health centre and library.

A more botched, unsuitable conversion would be hard to find.