August 8th – I still can’t get my head around the state of the trees currently blocking the new development’s view of Catshill Junction. This is a Walsall Housing Group project consisting of apartments, sold as ‘canalside’ dwellings – but as far as I can ascertain, most of the properties have no view of the canal itself due to the overgrown thicket in-between.

Such dense vegetation must also make those flats terribly dark. Unusually for Walsall Housing Group, they don’t seem to have any plan to deal with this and integrate their development into the immediate environment. I find this surprising and sad.

And still languishing unloved on the bank, the Catshill Junction Sculpture. 

What a mess.

May 29th – In the meadow behind Alder Mill, just north of Atherstone, this pair of huge black cocks.

I have no idea, but just like imagining the faces of hopeful Googlers finding this post at some point in the future and being somewhat disappointed.

Interestingly, these cocks are only a a few hundred yards from a place called King Dick’s Hole.

Think I’m joking? Check a map.

January 30th – A bright, clear but chilly day. Still not well, I went out in the afternoon, and had errands to run in Aldridge and Lichfield. Although the day was lovely, the wind was really not to be trifled with.

Passing through Catshill Junction, I noted something I’ve been meaning to record here for a while: the sculpture erected some years ago on the opposite side to the towpath has had the undergrowth and scrub cut from around it, I’m not sure who by, but my thanks to them.

With the leaves off the trees, the new building here looks really good, and I hope the growth here can be cut back for the summer – otherwise those brand new apartments will be awfully dark and have hardly any view of the canal at all.

September 8th – I’ve been a bit disappointed with the new housing development on the site of former tower block Bayley House in Brownhills, between Lindon Drive and Catshill Junction.

Unlike much of local housing development by Walsall Housing Group, it’s very boxy, plain and red brick, and aesthetically mediocre, at best. Secondly, the overgrown canal bank, trees and hidden, overgrown sculpture – which could have been made a feature – have been ignored. Lower floor dwellings in that building must be horridly dark.

I’ve heard it said a local canal group are planning to tend the sculpture, but that isn’t the point: if you pump a few million into developments, a few finishing touches and nods to decent aesthetics cost next to nothing.

Unusually for WHG, this is very poor.

July 9th – I wasn’t particularly late back, but the golden hour seemed to settle in early, on a peaceful, mirror calm Catshill Junction. The new flats have balconies now, but still no sign of anything being done with the scrub and statue on the canal bank. 

On the towpath side, the buggers don’t seem to stop mowing at the moment – I’ve never known a year like it. It’s almost as if the moment an interesting flower pops up it must be cut down.

It never used to be like this. I’m convinced it’s just so the Canal and River Trust can look like they’re pro active whilst ignoring real infrastructure issues.

May 15th – I was pleased to note while in Birmingham that a piece of public art I thought had been lost from St. Chad’s Circus subway was still extant, and had been moved. The mosaic or whatever it is – it’s more like a veneer than anything, but it’s not wood – is of trains and transport and commemorates Snow Hill Station, which was closed (I think) at the time it was created. 

The work used to be on the subway wall in one of the most horrid underpasses in the city centre. When the subterranean horror was infilled, I assumed the work had been lost, and forgot about it. 

I noticed the work fronting the planters outside One, Snow Hill. I’m glad it was saved, it’s a little bit of the Birmingham I remember.

Just like the horrid pub in the subway, The Brown Derby. That was a shocker.

One artwork is still missing, though, and used to stand on the grass above street level on St. Chads; it was a metal, full size child’s swing, captured and welded in multiple stages of movement as if caught in stop motion photography. It was brilliant. Anyone know what happened to that?

March 11th – Quick photos grabbed in passing on a desperately murky evening, but there’s no mistaking the recently relocated, civically vandalised Walsall hippo. Now outside the library, publicity wonks working at the council decided it would be a bit of free and easy publicity to paint the concrete kiboko in a Walsall football strip to cash in on – sorry, celebrate – the recent success of Walsall Football Team, a sporting enterprise that in former, less successful times, was untroubled by civic attention.

The wonks this post prandial brainwave surely was – whose previous contact with paint technology is probably limited to spare rooms and nails – assure all and sundry the paint will wash off (presumably when sporting fortunes return to normal and disassociation is necessary) and that the stunt – sponsored by an unholy amalgam of tattoo parlour and home insurance company – is all in good taste.

Of course, seeing a football fan on the streets of Walsall, resplendent girth barely contained by team shirt is not unusual, and the footballing hippo is very representative, even more at home like this. But cast from cheap concrete worn porous with age, it’ll take some effort to expunge him from the red peril he finds himself in.

Of course, the duality of the civic position that graffiti is wrong has gone unnoticed, and it’s odd to see the insurance people back off the naughty step, but hey, this is Walsall.

And no, this sculpture has never been called ‘hoppy’ by anyone I’ve met, despite apparent attempts by the burghers to convince us otherwise.

Good luck to The Saddlers, though…