#365daysofbiking An early Peter Saville

February 15th – The sun and mild weather at the moment are most welcome. Heading off on the scenic route to Lichfield for a meeting I crossed Ogley Junction footbridge and the shadows made me think of the great designer Peter Saville.

I love the effect of architectural shadows.

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#365daysofbiking Decent exposure:

December 9th – As darkness fell, I pulled myself up and decided to find a decent photo opportunity or two. The pedestrian bridges over the Chasetown Bypass are always good, and the Canon G1X really comes into it’s own on the long exposure work.

The crescent moon over Catshill doesn’t bode well for the weather, though – mum always said when the crescent was on it’s back, it was holding rain in it’s belly. I hope she’s wrong.

My unusually distorted shadow caught under Middleton Bridge arch from my bike light was an oddly serendipitous thing, too.

Grim days are what we make of them, I guess. Never was that more true than today,

July 6th – Passing through Walsall and making a few calls on a periodically sunny morning, I was intrigued by the laser cur plate in the railings and the shadow it cast. 

That’s a lot of effort to go to for a plain, mostly overlooked bit of street furniture, and I only spotted it by the shadow cast.

I wish the photo had come out as well as it looked at the time!

January 8th – Unexpectedly, Dazzle Ships on the Chasetown bypass. For those unfamiliar with either the concept of dazzle camouflage or the concept album by electronica band OMD, Dazzle Ships were regular ships painted in bright, geometrically random and almost cubist designs in the First and Second World Wars. Through a periscope, surrounded by light glinting off waves, it was a very effective scheme for obfuscating a vessel’s speed, heading and location.

The idea was pioneered by artist Normal Wilkinson. You can read about it here. The Dazzle Ships album is a lost classic, too.

At Chasetown, the camouflage was just shadow and sunlight through a steel bridge, but a fascinating series of contrasts caught just by looking right at the perfect moment.